Découvrir la musique de la Féline, c’est découvrir celle qui l’incarne : un personnage à part dans le monde de la pop aventureuse « à la française ». Depuis ses débuts sur la scène pop française, Agnès Gayraud s’est tracé un chemin bien à elle, entre deux mondes, celui de la musique, celui des textes. Ici et là, dans une interaction de plus en plus fluide, on salue son écriture, sa personnalité, sa présence, son jeu de guitare, son chant. Tout cela ensemble produit une musique de plus en plus personnelle, de plus en plus affirmée, ouverte aux autres aussi. Après le poignant Adieu l’enfance, Triomphe, son nouvel album à la fois pop, progressif et inspiré est paru ce 27 janvier.

La Féline is a progressive (French) pop act (named after Jacques Tourneur’s 1942 movie) led by Paris based singer and guitarist Agnès Gayraud. She is also one of the figurehead of french pop activists’ movement La Souterraine. A tall brunette who sings in French — byzantine lyrics that ring in your head long after hearing them —, brings together her singular pop songwriting and Baudelaire, church singing and 808s, pop and deep thoughts. Think “La Question” by Françoise Hardy, or “Desertshore” by Nico, the bizarre pop elegance of Stereolab or the choirs textures of Elisabeth Fraser. You can feel the profound musical personality in the vocals and the lyrics. Jarvis Cocker championed some of her songs on his Radio 6 Sunday Service show. Her last critically acclaimed LP Adieu l’enfance was released on November 2014. She just released the next, Triomphe, the 27th January 2017 : she’s gone wilder and groovier, making her music even more magnetic and ambitious. She will celebrate the album release in a full band’s live at LA MAROQUINERIE, in PARIS, the 16th of March.

“Agnès Gayraud, otherwise known as La Féline, is a brilliant, intelligent maker of pop music. La Féline’s unusual arrangements is French pop at its best.” (The Line of Best Fit)

“After some remarkable tracks in English and Spanish, La Féline find the formula for minimal, coldwave, intelligent pop, both nocturnal and sensual.” (Les Inrockuptibles)

“ Singer Agnès Gayraud is one of those musicians who manages best to make French sound different in her songs by enveloping it in other rhythms, and playing with its pronunciation.” (France Culture)